let’s all walk on water
while we sink beneath the sand
let’s all dance on water
lips sewn up with rubber bands
limbs flailing
body gyrating
hapless dream-scaping
wordless wailing
let’s all walk on water
“it’s good for you”
let’s all walk on water
while we sink beneath the sand
let’s all dance on water
lips sewn up with rubber bands
limbs flailing
body gyrating
hapless dream-scaping
wordless wailing
let’s all walk on water
“it’s good for you”
Tumultuous ocean, churning depths. Underneath pomp, ceremonious circus, lies dark churning death. Extirpating the soul inside writhing grief, bursting through blessed gratitude too copiously applied. Such ponderous agony, ‘neath layer upon layer of colourful luxury.
Executive dysfunction is a very real phenomenon – not to be scoffed at. The veneer of steadfastness belies gritted teeth, foaming nausea, weeping silently, hapless, atop mighty pedestal. Who sets the heights, lengths, and breadths for performativity? The Autistic in a constant state of unstable flux – crushed, tossed, fluffed, buoyed, then crammed into discomforting contortions – seeks determinedly for clemency of space, breathing in every small fleeting moment, as if a last and final breath.
Too much struggle brings chaos to sensory reception – hyper senses become all the more acute, but yet bizarre in rhythmic jaggedness. The brain seems to switch off some signals, while others hurtle along as if out of control. A multi-dimensional existence, so markedly conflicting, it is a wonder that there are not far more collisions and collapses.
Demons screaming at the door, thinly veiled agony that nobody sees, nor ought they to be cognisant of in case of unknown, volatile consequences.
Lucy came with me to the Arts & Disability International Conference today. It was a huge blessing to have her with me, well worth the small ‘inconveniences’, like having to take her outside for potty each time we had a break and thus missing out on food and beverage.
When we first arrived, I made the mistake of choosing to sit in a busy area where people were walking or wheeling back and forth, standing around chatting, and even striding over Lucy, who was laying on her mat next to me at my feet. The lights in the rooms were confronting, to say the least. Lucy took it all in with grace and quietude, and she kept a discreet whisker out for me all the time. I began to feel nervous and agitated from the constant noise, movement and frenetic energy buzzing round and round, and Lucy got up to indicate that we should move to a less busy spot. She led me to the far corner on the other side of the room, and we settled down comfortably there, until lunchtime. Continue reading
It isn’t true that autistic people do not know how to work in a team. We just need clear instructions about what is expected of us, and consistency in interactions. The autistic person is just as willing as any other to perform as a team, it’s just that the autistic mind functions somewhat differently, so better understanding all round is necessary.
Today, I was reminded again how amazing the people I work with really are. Continue reading
Work in progress…
It’s been more than a week battling this cold and cough. My voice is all but gone. I sound like a constipated frog (do frogs really constipate?). Been through the dramatic works, the wailing, flailing, fainting and vomiting stuff etc, and now finally on the mend. Still coughing alarmingly – feels like the guts are all going to spurt out at some point or other – and noticing some pretty aghast looks being thrown my way, through the tears in my eyes while attempting to blow my nose. Too much multitasking, being sick is unpleasant for anyone, but being sick with hypersensitivity cranks up the ‘horrid’ volume manifold levels … and over and over. I am missing my Lucy. A lot. Clement Space was inspired by Lucy.
Nevertheless… I have been building clement space… in little ways, struggling valiantly, and in the more ‘official’ manifestation, of course, the exhibition. The show must go on, and so it shall! Continue reading
I spent the last few nights and days in this sofa, positioned right next to the loo. For safety, because I nearly fell down the winding stairs connecting to the loft bed. And for convenience, in case I had to throw up. A good thing I am short, but still, I have not laid down properly in a bed, stretched out, for this entire time. Continue reading
Yesterday afternoon, a friend took me to a little nooky cafe, tucked inside an industrial estate. A former hardware shop, the entrance decorated with eclectic vintage clutter served as a thematic introduction to the atmosphere within. As soon as we pushed open the creaky door, I felt a draft of musty, humid, cool air blow directly into my face, then wrap around me like a nebulous mouldy snake. My skin tingled, as my olfactory senses picked up the various miasmic odours emanating from each visually charming piece of history on display.
The waiter ushered us towards the back. Slipping within a split second into a bubble of wordlessness, I followed obediently, semi-somnambulant, my sensory system already engaged in a (routine) contrapuntal wrestling match with the onslaught of smells, sights, and sounds. As we were about to sit down at the allocated table, speech suddenly returned, and words fell out of my mouth like marbles, tumbling down and bouncing sharply against the concrete floor.
“I don’t want to sit here, it smells funny. I don’t like the smell here.”
Lucy is a major influence on my concept of Clement Space, especially the idea that we can create mental and physical spaces of grace wherever we may be. Momentary respite. A place in which to repair and replenish sensory equilibrium.
Sometimes, to the casual observer, it may look awkward, seem uncomfortable even, or appear bizarre. However, Clement Space is ours, it is intimate, and we should feel safe to own it.
As the BIG Anxiety festival draws ever nearer, I am plunged into a flurry of making, musing, more making and more musing. While crafting the installations for Clement Space in the City, contemplating the concept itself, and trying to find spaces of clemency along the way, an old song of mine wove its way into my consciousness.
“The road is long and the dark night is lonely“… A line from one of my songs, “To Touch the Edge” written and recorded 1998/1999. I did not realise it at the time, but it was a plea to find Clement Space: a place – mental and/or physical – where mind, soul and body may dwell, even for a few brief moments, without threat or assault to intrinsic Beingness. (Click on title of song to access on SoundCloud.)
Days are now filled with the sensory textures of netting, organza, cotton, linen, yarn, thread, pinpricks on fingers, and the whirring gargling rattling of my mother’s trusty old Singer sewing machine. Continue reading
Lucy has been busy inspiring this autistic Bunny yet again. We are crafting “Clement Space in the City (2017)” – getting ready for the Neurodiverse-city exhibition at the Customs House, Sydney, opening 20 September 2017! All part of a huge and amazing project, the BIG Anxiety festival 2017.
(Sorry, all Lucy-fans out there, I will not be taking her to the festival – not unless someone is willing to sponsor a return Business Class ticket on Qantas and the preparation costs.)